Passage | Venice, Italy
Passage was installed in the European Cultural Centre's
Personal Structures: Identities in the context of 58th Venice Art Biennale
from 11th of May until 24th of November 2019.
Palazzo Mora, 3rd floor, Strada Nuova 3659, 30121 Venice, Italy.
Venice Architecture Biennale 2018 | Time Space Existence at Palazzo Mora, Venice, Italy
Venice Art Biennale 2019 | Personal Structures: Identities at Palazzo Mora, Venice, Italy
Chris McMullen is participating in “Time Space Existence,” the large art and architecture exhibition organized bi-annually by The GlobalArtAffairs Foundation in the context of the Venice Architecture Biennale 2018.
Passage was presented in Palazzo Mora in Venice, Italy in 2018 and 2019 along with 180 attists/architects from around the world.
The exhibition was hosted and supported by the European Cultural Centre.
PALAZZO MORA
University of Arkansas - Fay Jones School of Architecture and Design (USA), Mathew and Ghosh Architects (IND), Chris Briffa (MLT), Itten+Brechbühl AG (CHE), APT Architecture/Atelier Pagnamenta Torriani (USA), Birdseye (USA), University of Patras (GRC), XYX Monash University (AUS), University of Pennsylvania (USA), Osvaldo Segundo Arquitetos (BRA), K2LD Architects (AUS), Earl Carter (AUS), Igual & Guggenheim (CHE), Piet Niehman (DEU), Fawad Kazi (CHE), AST77 (BEL), René Dürr (CHE), Future Cities Laboratory (SGP), Form4 Architecture (USA), ArchObraz (UKR), Peter Aaron Harris (USA), Ideal Spaces Working Group (DEU), School of Design Ravensbourne - Layton Reid (GBR), HAYBALL (AUS), Schulz und Schulz Architekten GmbH (DEU), Alessia Maggio (ITA), Joseph McDonnell (USA), Olga Bumagina (RUS), Anne Baxter (USA), Budi Pradono (IDN), Ulrich Pakker (USA), Aida Atelier (JPN), PLandscape (THA), openstudio architects (GBR), Divina Abou Jaoude (LBN), Irina Klimenko (RUS), Syracuse University (USA), Think spAce (MEX), Barbara Grygutis (USA), Claudio Aldegheri (ITA), Yana Osmanova (RUS), Fundació Mies van der Rohe - YTAA (ESP), SOM (USA), University of New South Wales (AUS), Maurus Schifferli (CHE), Ingo Rasp (CHE), Nadine Tschinke & Ferdinand Kersten (AUT), Federico Delrosso (ITA), Diba Group (IRN), Joan Sullivan (CAN), MCM Group (USA), Nikken Sekkei (JPN), Blainey North (AUS), Space4Architecture (USA), Chris McMullen (USA), Mark Merer (GBR), Universidad Catolica de Guayaquil (ECU), DIDA + Ariel University (ITA/ISR), Susan Ferrari Rowley (USA), Elena Maria Lourenco (USA), DPHS architects (IDN), Oscar & Andres Morales (CRI), Daniele Marques (CHE), Mark Dotzler (USA), PLAYSTUDIO (ESP), Sigurd Larsen (DNK/DEU), 0932 DESIGN CONSULTANTS (SGP), Andreas Fragel (DEU), Széchenyi István University (HUN), RED DOT STUDIO (USA), Hiroo Okubo / CHOP+ARCHI (JPN), Elisa Kim Kulosman (USA), Remi.C.T Studio (GBR), YTAU (FRA), Hugh Chapman (GBR), Judith Unger (USA), WTA Architecture and Design Studio (PHL), Linda Maria Schwarz (AUT), Architekturbüro Lindstedt with LSA & Studio 8FOLD (DEU/GBR), DVA Arhitekta (HRV), Anahuac University (MEX), Pavel Voinitski (BLR), Natsuki Takauji (JPN/USA), Dominic Hopkinsons (GBR), Rainer Sioda (DEU), Hammoodi and Partner (DEU), Marc Lins (AUT), University College Dublin (IRL), Torsten Andreas Hoffmann (DEU), StudioMDA (USA), Alex Fradkin (USA), Andrew Latreille (CAN), Stanford University Architectural Design Build (USA), Grupo Arkhos (MEX), Universidad Ibero Americana (MEX), Richard England (MLT), Peter Roller (SVK), Sophie Berthelier, Veronique Descharrieres & Amelia Tavella (FRA), Jazzy Li (CHN), DesignSociety - Fumihiko Maki - Ole Bouman (CHN/JPN), Suma Arquitectos (PAN), Nanjing University (CHN), Chinese University of Hong Kong (CHN), Daniel Sotelo (ARG), STUDIO 304 (GBR), Michele Palazzo (USA/ITA), Emily Hagopian (USA), Toshiko Mori (JPN), KWAKU - Eugen Schutz (DEU), Alberto Piovano (ITA), KISD - Köln International School of Design (DEU), Dag Jensen (NOR), Sergio Duarte (BRA), Marcel Lam (HKG), Medusa Group (POL), Sunshine PR (CHN), Richard Meier (USA), Pontificia Universidad Javeriana (COL), Foundation Ibrahim Kodra (CHE), Andrea Ciganotto (ARG), Universidad Católica del Norte (CHL), Lawrence Technological University (USA), Flavia Medina (BRA), KNS Studio (IND), Martin van der Linden (JPN), Argos in Cappadocia (TUR), DXA Studio (USA), SEU (CHN), Leslie Smith (USA), nextcity.nl & Academy of Architecture Amsterdam (NLD), Chongqing University (CHN), TU Delft Bouwkunde (NLD), Waltraut Cooper (AUT), MIT research group Solar Sound System (USA), MVRDV (NLD), Nadia Tromp (ZAF), Jinhee Park (USA), China Southeast University (CHN), Rafi Segal + DLANDstudio (USA), Michael Heissner (DEU), Randi Elisabeth Duborg (DEU)
Passage was presented in Palazzo Mora in Venice, Italy in 2018 and 2019 along with 180 attists/architects from around the world.
The exhibition was hosted and supported by the European Cultural Centre.
PALAZZO MORA
University of Arkansas - Fay Jones School of Architecture and Design (USA), Mathew and Ghosh Architects (IND), Chris Briffa (MLT), Itten+Brechbühl AG (CHE), APT Architecture/Atelier Pagnamenta Torriani (USA), Birdseye (USA), University of Patras (GRC), XYX Monash University (AUS), University of Pennsylvania (USA), Osvaldo Segundo Arquitetos (BRA), K2LD Architects (AUS), Earl Carter (AUS), Igual & Guggenheim (CHE), Piet Niehman (DEU), Fawad Kazi (CHE), AST77 (BEL), René Dürr (CHE), Future Cities Laboratory (SGP), Form4 Architecture (USA), ArchObraz (UKR), Peter Aaron Harris (USA), Ideal Spaces Working Group (DEU), School of Design Ravensbourne - Layton Reid (GBR), HAYBALL (AUS), Schulz und Schulz Architekten GmbH (DEU), Alessia Maggio (ITA), Joseph McDonnell (USA), Olga Bumagina (RUS), Anne Baxter (USA), Budi Pradono (IDN), Ulrich Pakker (USA), Aida Atelier (JPN), PLandscape (THA), openstudio architects (GBR), Divina Abou Jaoude (LBN), Irina Klimenko (RUS), Syracuse University (USA), Think spAce (MEX), Barbara Grygutis (USA), Claudio Aldegheri (ITA), Yana Osmanova (RUS), Fundació Mies van der Rohe - YTAA (ESP), SOM (USA), University of New South Wales (AUS), Maurus Schifferli (CHE), Ingo Rasp (CHE), Nadine Tschinke & Ferdinand Kersten (AUT), Federico Delrosso (ITA), Diba Group (IRN), Joan Sullivan (CAN), MCM Group (USA), Nikken Sekkei (JPN), Blainey North (AUS), Space4Architecture (USA), Chris McMullen (USA), Mark Merer (GBR), Universidad Catolica de Guayaquil (ECU), DIDA + Ariel University (ITA/ISR), Susan Ferrari Rowley (USA), Elena Maria Lourenco (USA), DPHS architects (IDN), Oscar & Andres Morales (CRI), Daniele Marques (CHE), Mark Dotzler (USA), PLAYSTUDIO (ESP), Sigurd Larsen (DNK/DEU), 0932 DESIGN CONSULTANTS (SGP), Andreas Fragel (DEU), Széchenyi István University (HUN), RED DOT STUDIO (USA), Hiroo Okubo / CHOP+ARCHI (JPN), Elisa Kim Kulosman (USA), Remi.C.T Studio (GBR), YTAU (FRA), Hugh Chapman (GBR), Judith Unger (USA), WTA Architecture and Design Studio (PHL), Linda Maria Schwarz (AUT), Architekturbüro Lindstedt with LSA & Studio 8FOLD (DEU/GBR), DVA Arhitekta (HRV), Anahuac University (MEX), Pavel Voinitski (BLR), Natsuki Takauji (JPN/USA), Dominic Hopkinsons (GBR), Rainer Sioda (DEU), Hammoodi and Partner (DEU), Marc Lins (AUT), University College Dublin (IRL), Torsten Andreas Hoffmann (DEU), StudioMDA (USA), Alex Fradkin (USA), Andrew Latreille (CAN), Stanford University Architectural Design Build (USA), Grupo Arkhos (MEX), Universidad Ibero Americana (MEX), Richard England (MLT), Peter Roller (SVK), Sophie Berthelier, Veronique Descharrieres & Amelia Tavella (FRA), Jazzy Li (CHN), DesignSociety - Fumihiko Maki - Ole Bouman (CHN/JPN), Suma Arquitectos (PAN), Nanjing University (CHN), Chinese University of Hong Kong (CHN), Daniel Sotelo (ARG), STUDIO 304 (GBR), Michele Palazzo (USA/ITA), Emily Hagopian (USA), Toshiko Mori (JPN), KWAKU - Eugen Schutz (DEU), Alberto Piovano (ITA), KISD - Köln International School of Design (DEU), Dag Jensen (NOR), Sergio Duarte (BRA), Marcel Lam (HKG), Medusa Group (POL), Sunshine PR (CHN), Richard Meier (USA), Pontificia Universidad Javeriana (COL), Foundation Ibrahim Kodra (CHE), Andrea Ciganotto (ARG), Universidad Católica del Norte (CHL), Lawrence Technological University (USA), Flavia Medina (BRA), KNS Studio (IND), Martin van der Linden (JPN), Argos in Cappadocia (TUR), DXA Studio (USA), SEU (CHN), Leslie Smith (USA), nextcity.nl & Academy of Architecture Amsterdam (NLD), Chongqing University (CHN), TU Delft Bouwkunde (NLD), Waltraut Cooper (AUT), MIT research group Solar Sound System (USA), MVRDV (NLD), Nadia Tromp (ZAF), Jinhee Park (USA), China Southeast University (CHN), Rafi Segal + DLANDstudio (USA), Michael Heissner (DEU), Randi Elisabeth Duborg (DEU)
Chris McMullen will be part a commemorative exhibition celebrating the 40th anniversary of the Pratt Fine Arts Center.
Making our Mark: Art by Pratt Teaching Artists
The exhibition features work from over 250 Pratt teaching artists throughout the organization’s influential history. Founded in 1976 to provide high-quality visual arts training in Seattle’s Central District—one of the city’s most economically and ethnically diverse neighborhoods—Pratt has been instrumental in shaping the arts landscape of the Pacific Northwest.
Preview Party: Making our Mark
Thursday, November 09, 2017
6:30 - 9:30 PM
Exhibition runs November 10, 2017 - April 8, 2018
Bellevue Arts Museum
510 Bellevue Way NE
Bellevue, WA 98004
Making our Mark: Art by Pratt Teaching Artists
The exhibition features work from over 250 Pratt teaching artists throughout the organization’s influential history. Founded in 1976 to provide high-quality visual arts training in Seattle’s Central District—one of the city’s most economically and ethnically diverse neighborhoods—Pratt has been instrumental in shaping the arts landscape of the Pacific Northwest.
Preview Party: Making our Mark
Thursday, November 09, 2017
6:30 - 9:30 PM
Exhibition runs November 10, 2017 - April 8, 2018
Bellevue Arts Museum
510 Bellevue Way NE
Bellevue, WA 98004
Infrastructure
September 9- October 14, 2017
The global economy has driven us to invent ways and means to move people and products around the world. Although most transactions take place in the virtual world of the internet, when it comes to delivering the product, it happens in the real, physical world, in real time.
This physical world of shipping and transportation is massive, requiring huge amounts of space and infrastructure. When our cities were first built, they were formed around these hubs of transport. It was part of a city’s appeal to have access to new goods and access to travel to other places. In some instances, a port or rail depot gave a town its reason for being.
This made way for cities to build housing complexes, shopping districts, and restaurants. As new social structures grow, they start to compete with the original infrastructure of transport. There is a back and forth, between the concerns of the metropolis and the industry that feeds it.
This work represents the massive infrastructure that has been built and is required to move people and products back and forth, and works as a metaphor for the push-pull of interests constantly trying to get their way.
Oxbow Gallery, Seattle, WA
Tuesday, Thursday & Saturday 10am-2pm
For more information visit oxbowseattle.com
September 9- October 14, 2017
The global economy has driven us to invent ways and means to move people and products around the world. Although most transactions take place in the virtual world of the internet, when it comes to delivering the product, it happens in the real, physical world, in real time.
This physical world of shipping and transportation is massive, requiring huge amounts of space and infrastructure. When our cities were first built, they were formed around these hubs of transport. It was part of a city’s appeal to have access to new goods and access to travel to other places. In some instances, a port or rail depot gave a town its reason for being.
This made way for cities to build housing complexes, shopping districts, and restaurants. As new social structures grow, they start to compete with the original infrastructure of transport. There is a back and forth, between the concerns of the metropolis and the industry that feeds it.
This work represents the massive infrastructure that has been built and is required to move people and products back and forth, and works as a metaphor for the push-pull of interests constantly trying to get their way.
Oxbow Gallery, Seattle, WA
Tuesday, Thursday & Saturday 10am-2pm
For more information visit oxbowseattle.com
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C.S.E. (Collaborative Stacking Extravaganza!) is coming to Gallery4Culture February 2–23, 2017
Opening: First Thursday, February 2 6:00–8:00 pm For more information visit Gallery4Culture Video to come soon! |
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BAM Biennial 2016: Metalmorphosis
September 2, 2016 - late January, 2017 In 2010, Bellevue Arts Museum launched the BAM Biennial, a juried exhibition occurring every two years which focuses on the work of established and emerging Northwest artists, craftspeople, and designers, with an emphasis on current and new work. For each edition, Bellevue Arts Museum designates a new focus of exploration, be it a specific medium, technique, process, or theme in art, craft, and design. The fourth edition in the series, BAM Biennial 2016: Metalmorphosis, is focused on the medium of metal. Whether precious or prosaic, metal has captivated makers and thinkers alike for over 10,000 years, inviting thoughts on transformation and attempts to unlock the secrets of the physical and metaphysical realms. The Museum received a record-breaking 330 applications for this year's biennial—a testament to the creative potential of this elemental material and the powerful inspiration it continues to evoke in art, craft, and design. From this talented and vast pool of applicants, 49 artists have been chosen to participate. The Participating Artist List can be found here. Opening Reception details to come. Please visit bellevuearts.org for more information |